Staccato notes are an editor's attempt to indicate articulation. The harpsichord is unable to play loud and soft, unable to make accents, etc. Bach wrote these pieces to be played on the harpsichord (or the organ). And it's easy to paint out all the garbage with Liquid Paper.īy garbage, I mean: dynamic markings, tempo markings, metronome speeds, slurs, staccatos, and accents. I use this edition, however, because the price is right. Those of you who know my preference for Urtext editions will be surprised, since Herr Professor Bischoff's edition is fairly highly-edited. I usually use the Kalmus edition (#02000), edited by Hans Bischoff. Generally of only two voices (but sometimes three), these are pieces short but challenging. Bach's 'Little Preludes' are an excellent start. Prior to fugue study, I recommend extensive time spent in imitative music. Hard to believe that in his day he was a little-known local performer, occasional composer for his local churches, and organ tester. Why not? All composers go there to learn! If there is only one 'master' of music, it is Bach. I believe it is best to go right to Bach. A student needs to have understanding of harmonic structure (I, V) and intervals, articulation (lifts), ability to hear melodic lines buried in the texture, finger dexterity to bring these voices to the fore one after another, a good work ethic, and perseverance.

Generally, students do not study fugues until at least three years of study. Not only are there a lot of notes, but the structure is incredibly dense, entwined, and alarmingly cerebral! Fugues are one of the most challenging of musical forms.

Bach preludios y fugas pdf